Dover born brothers Paul and Ross Godfrey make up the hub of this two boy, one girl outfit. First coming under media spotlight way back in 1995 with the single, Trigger Hippie, from their China released album, Who Can You Trust? Cautiously dubbed trip-hop by some, they were inevitably associated with the then zen like torchbearers of downtempo, Portishead. Slow pulsating beats, yes – existential, noir inflected cinema beatsters, no. And this really only goes to prove it. Moving away Continue Reading

As it happens, DJ/producer Fusion spent some four years writing for black music mag Echoes learning all the ins and outs of the trade without breaking so much as a sweat, never mind his or anyone else’s ass. Fallacy on the otherhand still works as a bouncer. And it’s at this point that we find them, straddling the ever increasing divide between London music and UK garage. Not that this is UK garage, you understand – just that it has Continue Reading

Far from being the self-indulgent clutter of oddsamples from ancient vinyl, bizarre conversations, and the occasional cool beat, this 1997 album is a break from the more serious side of Paul Huston (if you could consider Te Gravediggaz, or, really, anything else he’s done to be overtly somber). I think “Psychoanalysis“ was intended more as a release-valve of sorts for him, a way to entertain some of his funkier fantasies. There’s a very light-hearted feel throughout the seventeen tracks here, Continue Reading

Synth-core, electro tech movement, futurism – call it what you will, the near-do-well acid brothers, Dan and Jon Kahuna’s debut album, ‘Machine Says Yes’ provides a stirring, startling likeness for magazines like The Face and Sleazenation. Imagine such things as a stomping, organic presence with real-time attitude and outrageous volume – and you pretty much have some kind of vision you can call Kahuna. With vocal contributions from the likes of alt-country singer Eileen Rose and Gus Gus member Hafdis Continue Reading