Reviews

I’ll dispense with all cod Post-Modernist shenanigans – the chameleon-like inferences and the half-arsed references to popular culture that Beck usually stirs up and instead play it simple. You bought ‘Mutations’? You’re halfway there. Building on (or narrowing the field still further – depending on which way you look at it) the back to the farm folk weariness of Beck’s Pre-Vulture album, Sea-Change tips the scales again in favour of the ponderous, sepia toned glory of bluegrass psychedelics; as far Continue Reading

Reviews

As a Folk singer dressed like a Punk Rocker with an attitude to match, Ani Di Franco has operated outside the mainstream from the beginning.  By turning her back on corporate rock, the unconventional Di Franco has emerged as one of the most prominent and inspiring cult heroines of the 90’s underground music scene.  Lyrically uninhibited, Ani constructs politically driven songs pertaining to but not limited to: rape, abortion, and sexism.  The controversial singer/songwriter has seen little commercial radio play Continue Reading

Reviews

Some have already commented on the sheer breadth of non-conformist knick-knacks that My Computer manage to ‘shoe-horn’ into each and every track on their debut release, Vulnerabilia and the single itself is no exception. Whilst not as staggeringly eclectic as ay Lemon Jelly or Add N’ To X (or as much as their press release suggest) the Manchester duo have managed to mine a hard seam of soul and originality through the snarling vocoders, analogue keys and the general noise Continue Reading

Reviews

Since 1999, producers Morgan Geist And Darshan Jesrani’s series of EP releases have always managed to find respect and approval from many of the daddies in clubland. And whether or not your tastes are discerning enough to appreciate it – the pair have cooked up an album of cuts that pretty much cements that credibility. Casting some old classic cuts alongside new material, the album is a summation of their careers at this point in time. An established techno artist Continue Reading

Reviews

Irish DJ – producer – soundtrack composer David Holmes originally conceived The Free Association as a means of taking his music live – and whilst that seems an impossibly grand ambition, it may go some way toward explaining the polarities of the record: at one pole loungey and jazzy, at the other a squealish hybrid of industrial rap. So excuse me if this sounds odd – but it’s an odd record. The Free Association (as is the name of the Continue Reading

Live

Weaving Sonic Youth guitar snideness into the safe framework of a U2 riff with songs peppered with atmospherics from a tiny trinket box. Meet Longwave … There is, be it fleeting or not, something unerringly sexual about our current love affair with New York. And it’s only human nature that you don’t want to overcrowd your affections, not too much. Yeah, so you might start off with good intentions and a steady partner (statistically more than likely The You-Know-Whos), but Continue Reading

Reviews

The video that accompanies recent single, ‘Never Be Alone’ shows the band passively instigating a pub brawl amongst a dozen or so local hoodlums in a non-too illustrious drinking establishment in London’s notorious Bethnal Green.  Allegedly banned by MTV the video just about sums up the dark, schizoid mental-as-anything duality of this release – and about as far away from the lush, harmonious greenery of the band’s debut, ‘Chemistry Is What We Are’ as you can get. Starting as any Continue Reading

Reviews

Although considered by many as the Godfathers of Grunge, Mudhoney was never as angst-ridden as Nirvana, never as serious as Pearl Jam and not as metal-influenced as Alice In Chains or Soundgarden.  Oh sure, they wore the flannel but their sound was closer to LA’s Jane’s Addiction than anything going on in Seattle.  While the band was Sub Pop’s first real success story, they never took home the big paycheck like their contemporaries.  In fact they were dropped from Reprise Continue Reading

Reviews

As a founding member of industrial messiahs KMFDM in the early 80s, Raymond “Pig” Watts is a seasoned producer, performer and musical engineer with the ability to morph styles with ease.  Pigs’ latest solo effort, Genuine American Monster, fluctuates between aggressive industrial to ambient trance.   After teaming up with Sascha Konietzko and Tim Skold for KMFDM’s recent come-back recording, Attak, Pig strikes with his sixth solo endeavor and his debut for Metropolis Records.  While the KMFDM influence is still with Continue Reading

Reviews

Partially synthetic and partially organic, Orbiter successfully combines trip hop beats, stellar guitar work, and perfect harmonies with a pop rock sensibility. The group returns with their second release (the bands 1st full length cd) Sparks on a String which will undoubtedly bring major labels knocking on Loveless Records door. Formed a little over 3 years ago by ex Hammerbox guitarist Harris Thurmond and vocalist/keyboardist/guitarist Fiia McGann from the Seattle-based Alternative Rock band Goodness, the group’s  unique style caught the Continue Reading